At the bustling threshold of Kyushu—JR Hakata Station—lies a bronze masterpiece by the legendary Henry Moore. Far from the sterile confines of a gallery, “Draped Reclining Mother and Baby” serves as a profound welcome to millions, embodying a unique fusion of international modernism and local civic pride.
Unveiling the Essence: A Monument Born of the People
In the heart of the Hakata Exit Plaza, amidst the rhythmic pulse of commuters and travelers, rests a sculpture that commands a moment of stillness. “Draped Reclining Mother and Baby” is the work of Henry Moore, the 20th-century British titan of sculpture. However, its presence in Fukuoka is not merely a corporate acquisition; it is a historical testament.
Installed to commemorate the 100th anniversary of Fukuoka’s city status, this work was realized through grassroots fundraising and donations from citizens. This “Public Art for the People” philosophy ensures that a world-class masterpiece is accessible to everyone—day or night—bridging the gap between elite high art and the daily transit of the urban population.
Your Insider Odyssey: Interpreting the Bronze
To truly appreciate Moore’s work, one must look beyond its heavy bronze form and see the air and light that flow through it. His style—characterized by organic, biomorphic curves—finds a perfect subject in the universal theme of maternity.
1. The Perspective Shift: A 360-Degree Narrative
Unlike traditional statues that demand a frontal view, Moore’s “Mother and Baby” is designed for circular exploration.
- The Frontal Embrace: From the plaza center, the scale of the “Mother” is overwhelming, her limbs creating a protective cocoon for the infant.
- The Draped Detail: Moving to the side, one notices the “draped” texture—inspired by Greek pedimental sculptures—where the bronze takes on the fluidity of cloth, rippling over the heavy forms.
- The Negative Space: A hallmark of Moore’s genius is the “hole” or void. Looking through the sculpture, the urban backdrop of Fukuoka is framed within the art, physically connecting the piece to the city.
2. The Emotional Anchor: A “Welcome Home” Signal
For travelers emerging from the high-speed Shinkansen gates, the reclining figure acts as a visual emotional anchor. While the surrounding architecture is sharp, steel, and vertical, the sculpture is horizontal, rounded, and soft. It represents an unconditional “welcome,” a maternal embrace that transcends language barriers.
Elite Navigator’s Codex: Cultural Contexts
- The Meeting Point: Locally, the sculpture is simply known as “The Moore Statue” (ムーア像). It is one of the most reliable meeting spots at Hakata Station.
- Photography Prime Time: For the best shots, visit during the “Blue Hour” (just after sunset). The station’s illumination (JR Hakata City) provides a dramatic, modern backdrop against the timeless bronze silhouette.
- Winter Illumination: During November and December, the plaza is transformed into a “Hikari no Machi” (City of Light). The sculpture sits amidst millions of blue LEDs, offering a surreal, ethereal aesthetic.
Kyushu Codex: Instant Insights
| Aspect | Details | Expert Reference Tip |
| Artist | Henry Moore (UK, 1898–1986) | One of the most significant sculptors of the 20th century. |
| Title | Draped Reclining Mother and Baby | A recurring theme in Moore’s career, focusing on protection. |
| Location | Hakata Exit Plaza (JR Hakata Station) | Directly outside the main west entrance/exit. |
| Origin | Fukuoka City 100th Anniversary | Funded largely by citizen contributions. |
| Access | 24/7, Open Air | Free of charge and completely barrier-free. |
FAQ Nexus: Scholarly Interrogatives
Q: Why is the figure “draped” rather than a smooth abstract form?
A: Moore was deeply influenced by his experiences during WWII and his subsequent study of ancient drapery. The folds of “cloth” in the bronze emphasize the tension and weight of the body underneath, adding a layer of classical dignity to a modern form.
Q: Is it permissible to touch the sculpture?
A: Yes. Public art in Japan is often intended to be tactile. While you should not climb on it, touching the bronze allows you to feel the temperature and texture—a sensory experience Moore himself encouraged.
Q: Where else can I see Henry Moore’s work in Japan?
A: Moore has a significant presence in Japan, notably at the Hakone Open-Air Museum. However, the Hakata installation is unique because of its integration into a high-traffic urban transportation hub.
Q: Is there a specific “best time” to visit for art enthusiasts?
A: Early morning (before 8:00 AM) is ideal. The plaza is quiet, allowing for an uninterrupted study of the form without the distractions of the heavy commute.
Q: What is the significance of the “Mother and Child” theme for Fukuoka?
A: It symbolizes the growth and future of the city. Just as a mother nurtures a child, the city aims to nurture its citizens, a sentiment that resonated strongly during the 100th-anniversary celebrations.
Coda: A Legacy in Bronze
Henry Moore’s “Draped Reclining Mother and Baby” is more than a landmark; it is a dialogue between a global master and the citizens of Fukuoka. In the shadow of the station’s clock, this silent matriarch remains a steadfast symbol of peace, welcome, and the enduring power of public art.